Category: Production

Collab PA Assistant Digitech Blog Graphic

COLLABORATIONS: PA’s, Assistants, and Digitechs

 

Collaboration with others during a photo shoot is essential. Heck, collabs in photography in general are essential. PA’s, assistants, and digital technicians (or “digitechs) are a few positions common on photo sets that can take your game to the next level. This post will explore these production roles, the etiquette that goes along with working with them, and the value that extra hands, minds, and eyes can bring to your shoot. Plus a few tips on how, where, and when to find this help when needed!

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Moodboard_graphic

 

MOOD BOARDS: YOUR SHOOT’S ROAD MAP

 

A mood board is a creative document that can charter the life, inspiration, and aesthetic direction of a creative project. The mood board is usually centered around a single image, item of inspiration, or aspect of the project. This could be a found image, a photo that has the editing style you want to achieve, a color palette, or even an item that has just sparked the creative juices in you. Any way its sliced, it should be an integral part of the final image, and will be referenced as such.

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make the most of the gear you own blog graphic

 

How To Make The Most Out Of The Photography Gear You Own

 

How much photography gear do you own?

 

What camera do you use? And how high is the quality of your photography equipment? This and similar questions are asked a lot in the photo industry. The amount of megapixels or AF points doesn’t really matter though because at it’s heart photography is about emotion, narrative, and memory. In this regard the question becomes not about equipment quality, but the quality of the artwork produced. Specifically, what makes a picture a quality photograph?

 

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grip gear guide for natural light photographers graphic

 Grip Gear: A Guide For Natural Light Photographers

 
Grip gear and equipment is a really fun part of photography. It is an area of production that exists to back photographers up in creatively solving problems. Whether you need a mini A-clamp, or a Black Bird 220 (a $10,000+ cinema light stand) or something in between there are endless grip possibilities to solving problems that may arise on shoot day.

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